The phrase “Joy Is Elusive” appeared in Harborcoat’s Matthew Carlson head one day, and the singer/songwriter/guitarist wrote it in black Sharpie on a piece of paper and tacked it to the wall above his studio computer. Those words became a conceptual signpost for the Harborcoat’s sophomore album, aptly titled, Joy Is Elusive.
“Not that joy doesn’t happen, or that we can’t find a lot joy in life and work, but it seems it can be difficult to find these moments and hard work to sustain them,” the Lansing, Michigan artist shares. “I’ve struggled with depression and anxiety all my life and it has always crept into my songwriting as a sort of veiled subtext. With this new batch of songs, I made a conscious effort to write about it more directly. They aren’t mopey or deliberately maudlin, but I think during these times people are feeling a lot anxiety, depression, and they have been grappling with isolation. These topics are part of the human condition.”
Matthew is the main songwriter in Harborcoat. Previously, he led The Pantones for more than a decade, and currently he writes songs and plays and sings in Lansing power pop outfit, The Stick Arounds. In addition, he is the owner and operator of Phonophore Records.
Harborcoat began as a songwriting outlet for Matthew in 2016 for output that didn’t fit with The Stick Arounds. The vision was initially a bedroom artistic venture, but a dear friend suggested Matthew make a real record, and Harborcoat became a functioning band that plays shows and records with an ever-evolving cast of musicians. Previously, Harborcoat issued the 2017 single, “See The Sun,” and the 2019 full-length, Brutal Gravity.
Harborcoat specialize in short stories with chords. The lyrics are novelistic and almost standalone pieces rife with emotive and well-crafted narratives. The band name is pulled from an early R.E.M. gem, and the music brims with nods to Matthew’s heroes. The songs recall the crunchy power pop and harmonies of Teenage Fanclub; the introspection and melodic storytelling of Billy Bragg; and sprinkled in are moments of 80’s esque Brit-Pop or working-class anthems. These influences, however, do not define the record, but are they are merely a strand of DNA in Harborcoat’s collective musical helix.
The songs on Joy Is Elusive are buoyant and energetic and are a powerful juxtaposition to the weighty lyric content. “I wanted there to be a sense of joy and excitement even though the lyrical themes are often terribly dark. There was a direct effort to play to that old maxim of ‘beautiful melodies telling me terrible things,’” Matthew admits. He continues: “On this record I wanted to write more intently about all of our unseen struggles and the baggage we travel with each day. There is a greater thread lyrically and musically rooted within the themes of the album and the fictional town in which they occur. As much as I cringe at the idea of a concept record, this is a record with a pretty clearly defined concept.”
The 12-song album is a cohesive and conceptually immersive collection that warrants a full album listening experience. That said, select record standouts include “Transit Town,” the title track, and “Where The River Bends.” “Transit Town” is a power-pop anthem with Who-style ringing guitars and a rich tapestry of sing-along harmony vocals. The song’s sugar rush is offset by the bummer of the fleeting nature of relationships in a college town. “The story here is of a self-contained world in a mid-sized industrial city not on an upswing where one person comes into town, they partner with someone for a period of time, and then move on, and that other person is stuck and doesn’t want to be where they are,” Matthew shares. This sentiment is epitomized by the lyric: This city is just a stepping stone/And so I guess am I/Everybody else has flown/I’ve got nowhere to fly.
The deeply emotive piano ballad, “Joy Is Elusive,” is a character-driven piece about a mentally ill sibling who does a stint at a state hospital, but is later returned to his family and they have to find a way to build a life together. The song is filled with poignant scene-setting lyrics such as: We picked you up in Traverse City, scars across your arms/Drove along the country roads, you stared out at the farms/Asked you twice if you were hungry you simply shook your head/We inquired if you were better this was all you said. The dynamic and imaginatively arranged literate rocker, “Where The River Bends,” paints a powerful picture of the terror of getting what you want.
The album was tracked at Matthew’s family cabin. Before the sessions began, his father died suddenly, and Matthew thought to cancel, but his family and friends convinced him to proceed with the sessions. “That week of recording was the first time in four weeks that I had managed to find any degree of happiness or hope,” he recalls. “It was cathartic, it was beautiful, and it was the perfect distraction.”
(writeup c/o Phonophore Records)
Saturday July 10 will see Cavalcade play the first show at Pyramid Scheme in Grand Rapids since early 2020. Way to go, boys! Somehow, GTG-affiliated acts are weirdly ushering in the return of live music to the, er, weirdos of the Midwest. Case in point….
Saturday July 10 is also the let’s-not-overstate-it-too-much return of shows to the Avenue Cafe in Lansing, featuring The Hunky Newcomers, Foxgrave, and Jeremy Porter. Geez! That feels good to say. No cover, 21+, 9 PM, just… come and watch! Wow! There’s shows every Saturday in July at the Avenue, and they’ve all got a GTG flavor to them: Saturday July 17 RK Andrews from No Skull opens up for our friends Bloody Butterflies and Bubak, Saturday July 24 Nicholas Weltschmerz opens up for the debut show of the latest Josh David fronted band Frowntown, and on July 31 the Wild Honey Duo will open up for a night of music featuring Michigan mainstay Jen Sygit. Something for everyone, you’re welcome!
The debut album from Harborcoat is officially out today! Check it out below, and make sure to put GTG Fest on your calendars – Oct 11, 12, and 13, cuz that’s your next chance to see this group live. Let the GTG autumn begin!
Harborcoat, the latest project from Matthew Carlson (The Stick Arounds, Pantones, et al) will be releasing their debut album this fall and are having a CD release party at The Avenue Cafe on August 24! The debut album, Brutal Gravity, is a 12 song “exploration [of] the quiet desperation, darkness, and inertia that can lie underneath the veneer of the oft-romanticized life in small-town/rural America” and features contributions from, among others, Carlson’s Stick Arounds bandmates and The Hat Madder’s Isaac Vander Schuur. Isaac’s mitts are actually all over this record as he engineered and produced it and you can feel a little bit of that Hat Madder grime throughout, which is welcome to the ears while the Hat Madder are on hiatus. In addition to scratching all kinds of GTG friend itches, the record basks nicely in the tradition of REM, Big Star, Guided By Voices, et al. Basically, it’s another Midwest-weirdo-pop classic from GTG! Check out the video for lead track “Missing On The 4th of July” below:
Get your CDs early at the album release show and stay tuned to the band’s socials for info on both the wider release AND a limited edition vinyl release. GTG124!