Just in time, an unbroken string of holiday miracles from the folks at BMP and GTG! Featuring new music from The Plurals, Cavalacade, The Hunky Newcomers, Jeremy Porter, Scary Women, The Wild Honey Collective (debut recording!), many members of Frank and Earnest, Tim Hoh from Honah Lee, Nicholas Weltschmerz, Mistic Mountian, our many whacky holiday-themed bands, plus first time showings from Satyrasis (with the Foghat banger we haven’t deserved til now), Bicycle Shorts, and more! Cheers!
Category Archives: The Hunky Newcomers
The whole darn thing, GTG Fest 2020! A great time and still a fest, as weird and not-in-person as it was. Thanks to all who played and all who watched!
You didn’t think we’d let COVID take away GTG Fest did ya? The 13th annual GTG Fest will be coming to you SATURDAY OCTOBER 10, following you on your mobile devices, lurking in the corner of your home on your smart TV, somehow popping up on that confusingly not-discarded Windows 98 Gateway tower that hasn’t been connected to the internet since 2001… EVERYWHERE!
Did I make watching a livestream briefly sound a little exciting? Well, we’re gonna do our best to bring some of the magical GTG Fest chaos to the streams. This thing’ll be streaming live from 4-10 at the GTG facebook page AND on the GTGRecordsTV youtube channel for all you fellow facebook haters out there. The show must go on!
SATURDAY OCTOBER 10
4 PM-10 PM EST
Wild Honey / Drinking Mercury 4:00-4:30
The Soods 4:30-5:00
Raymond Strife 5:00-5:30
Narc Out the Reds 5:30-6:00
Jeremy Porter 6:00-6:30
Honah Lee 7:00-7:30
Hunky Newcomers 7:30-8:00
Invisible Cartoons 8:00-8:30
The Stick Arounds 8:30-9:00
Erotic Novels 9:00-9:30
The Plurals 9:30-10:00
That’s a fest, eh? Well, it’s what we’ve got! Just like Joe Biden. Hey, I kept this apolitical until now, that’s good for 2020, right? Vote for Biden on November 3rd or else you’re part of the problem of social regression, racial injustice, natural destruction, and general being a fucking asshole.
xoxo – see you next Saturday!
Here it is! Holiday cheer and fear from your good friends at GTG and BMP! This year’s addition to the winter madness series sees The Plurals gettin’ sweet and sentimental, Tim Hoh from Honah Lee firmly throwing his hat in the ring as the greatest kids’ music singer of our generation, Drinking Mercury cover Woody Guthrie, Cavalcade parody Nada Surf, The Hunky Newcomers have a confusing party, Jeremy Porte
We all took a breather after the big shows and tours in June, but we’re back at it this weekend! Free shows from both Drinking Mercury and The Hunky Newcomers! Get on it Lansing!
March 17th! There’s shows today!
Lansing’s got a two-Plurals-Pudvay-friends cover band plus a Tommy Plural Group set alongside other weird and fun stuff:
Trenton’s got Honah Lee and all the Honah Lee family bands!
And Grand Rapids has the Tucos!
See ya out there for this coincidental day of many shows!
Big thanks to Dylan Tarr and City Pulse for this excellent piece about the 10th anniversary of GTG Records! Follow the link here or read the whole piece below!
A Decade of GTG Records
Local Lansing record label celebrates a productive anniversary year
BY DYLAN TARR
Lansing’s GTG Records put out 16 records this year. That’s over 150 songs and more than 10 hours of music. If you wanted to, you could drive all the way to Tennessee listening to nothing but GTG releases from this year alone. For a record label based out of a house that City Pulse once named “Eyesore of the Week,” that’s a lot of music. And honestly, it’s a lot of music no matter what your headquarters look like.
“This was sort of a special thing,” said GTG co-founder Tommy McCord, also known as Tommy Plural, admitting they don’t usually release a terabyte of music in 12 months. “We decided that since it was the 10th working year of the label we wanted to celebrate it.”
McCord traces the beginnings of GTG Records back to 2007, when he and his bandmates, Hattie Danby and Nicholas Richard, put out the Plural’s first EP.
“We first used it as a way to release our demos and our friends’ demos on CD-Rs,” said McCord. “In 2007 we put out an EP called ‘Professor Nanners,’ and that was the first time we had a professional company manufacture the CDs.”
Since then, with 10 years on the record and over 100 releases, the label has taken on a life of its own, McCord said, describing it as more of a collective of local musicians than a business.
“I knew bands would be putting things out this year and I thought if I reached out to a few more people I could figure out one release a month,” said McCord. “We ended up doubling up in some of those months because there was so much happening.”
If you still have some reservations about a record label run out of a dilapidated house on the east side of Lansing, you shouldn’t. This is exactly where the music you eventually love comes from.
Def Jam started in Rick Rubin’s dorm room while he was a student at NYU. Bruce Pavitt dubbed together compilation tapes for an obscure fanzine that later turned into Sup Pop. It doesn’t matter if bands are recording in a sound proofed studio in L.A. or in a Michigan basement between noon and 11 p.m. to comply with noise regulations; great music is great music.
City Mouse’s “Get Right,” released in November on GTG, sounds like the band Sleater Kinney could have been if they didn’t lose their razor-sharp teeth immediately after their first album. GTG’s first release of 2017, The Hunky Newcomers live album, “Harder Stuff Dude,” sounds like Black Flag in an alternate universe where Greg Ginn actually possesses a sense of humor.
And the Hat Madder’s fourth release on GTG, “Rotting On the Vine,” is a proggy, Mars Volta-like record without any of the step-dad connotations that prog-rock often comes with.
I could go on comparing GTG bands to other famous bands you’ve heard of to convince you that Lansing’s music scene is undeniably important, but I won’t because that’s a job McCord happens to be very good at.
“I’ll be honest, I tour the country for large parts of the year and I see cool bands everywhere,” McCord said. “But I feel like the concentration of cool bands in Lansing is higher than anywhere else, and I really don’t think it’s because I’m a hometown pride person. There are just a lot of cool weird things here.”
And with a surplus of cool, weird things to foster in Lansing, McCord said that GTG as an organization simply becomes whatever it needs to be to do its job.
“It’s like what do you want to do as a band,” McCord said. “If the band’s not going to play shows very much we’ll have a mostly digital release and a small run of CDs to have at the release party.”
Similarly, if a band intends on touring and playing out constantly, GTG puts out vinyl releases too.
“With the Plurals, we noticed on tour that bands who had a 7 inch or a 12 inch seemed like they were always selling them,” McCord said. “I was like, we can get in on this, right?” he laughed.
But pressing vinyl is expensive. While this might dissuade other independent labels, McCord only laughed and said, “no one gets rich off this stuff.” And besides, he said, “Records just look sweet. It’s cool to look at it and just to know your music is on it.”
GTG has evolved with the scene, picking up the slack where Lansing’s shortcomings wear even thinner.
“Around 2009, a lot of local venues closed so we started to do more house shows. All ages spaces and intimate venues for touring bands who might not get a lot of people out at Mac’s Bar are important,” said McCord, referring to the GTG House, the label’s headquarters and inclusive local venue.
GTG does the dirty work, too. That’s right, they book tours, a nightmarish process few bands attempt and even fewer succeed at.
“It’s really hard to make people give a shit about you if they don’t know who you are,” said Isaac Vander Schuur, front man in the Hat Madder and GTG engineer. “There’s definitely a lot that the label can provide as far as making sure your tours get booked and you’re not thrown to the wolves out on the road.”
GTG helped book the Hat Madder’s recent west coast tour, insuring Vander Shuur and his bandmates weren’t driving 2,000 miles just to play to a different empty room each night.
Sure, GTG Records can pack out a venue, make sure you not only survive on tour but thrive, all while manufacturing and distributing your record, but what about all the hopeless losers like me and you who aren’t in a band? What’s GTG doing for us besides eating up all the space on our Zunes?
“My goal is to show people there’s a lot of great music being made out there and that it’s still possible to have fun in America in the Trump Administration,” McCord said.
“It’s really important in times of discontent to have an outlet for expressing your frustrations and opening up communication with more people,” said McCord. “Shows with a positive energy are great ways to meet people and find more allies for your cause.”
And whatever your stance on safe spaces is, I’m sure we can all agree seeing a show without getting punched out or molested by some creep is preferable if not important.
“You get all these people in a room together and everybody just enjoys each other’s company, you can really tell,” said Vander Schuur. “When you play a show in front of a GTG audience you get an inspiring vibe back from them, even if you’re not having your best night. They still have your back front and center, waiting to see what you’re going to do next. That’s why I started playing music in the first place and that’s why I’m still doing it, because I’m a part of this label.”
It’s here, the 12th annual holiday malaise soiree. Cheers!
Make sure to download for the full effect, hint hint 😉
TOMMY PLURALS SAYS:
GTG FEST! That was one of the best weekends of my life. First and foremost my partners in the endeavor – Nicholas Miski Dee Hattie Mae Loren Isaac Michael and Timmy – are the best friends and collaborators I could hope to have. The Avenue Cafe and all of its staff have done a bang up job hosting our fest and this year was no exception. So much love! Weather conspired against The Record Lounge but the little bit of show that we did get to do there was awesome and we’ll figure out a way to make up for it. Thanks to Ryan and Andy for having the gear on call to do the outdoor show that didn’t happen, and Josh and Jeffery for lending some muscle and being down to do whatever random thing we threw out there. Rachel made a great poster and I’m going to miss seeing it all over everything I do. All of our sponsors – Pabst Blue Ribbon, Scene Witch, Schuler Books & Music, Foods For Living, Rubie’s Paradise Salon, McCord’s Farm Market, Bloom Coffee Roasters, Streetkitchen, harrison roadhouse, Grand Traverse Pie Company, Alyson Rose Studio, and MI Blue Owl Coffee – made the weekend that much more special and we’re happy to work with all of you. Mike, Eric, and Isaac are basically the trinity of GTG sound techs so thanks for hanging with all of the bands all weekend. Thanks to Crith, Paul, and Kevin for providing the backline along with Nich and Hattie; this made the ambitious time table possible. Brian was running around recording the whole weekend and I can’t wait to hear what he captured. Shoot… I think that’s everyone but the fest is still a fresh blur so sincerest apologies if I spaced anywhere. But… EVERYONE THAT ATTENDED!! YOU make this all possible and we’re all so humbled by your support. 10 MORE YEARS! 10 MORE YEARS!! #gtgfestx
GTG FEST 2017 LINEUP (by day, headliners in the caps)
Narc Out The Reds
Bet On Rats
THE HAT MADDER
The Knights Without
The Free Life
The Hunky Newcomers
ARTIST SAMPLER: https://gtgrecords.bandcamp.com/album/gtg-fest-2017
SO MANY PICTURES: