Today (March 5, 2021) – as part of Bandcamp Friday – we’re plugging a release to benefit the staff of Michigan music venue Mac’s Bar who have all been laid-off for just shy of a year due to COVID-19. One of these staff members happens to be my partner (and I’ve worked there on and off as a sound tech for several years as well) so I can say with direct experience that we were all expecting a fairly lucrative year for live music and had the rug pulled out unexpectedly with no safety net. Prior to last year serving and contract work within the music industry was actually always a pretty safe bet for employment, especially for those of my persuasion that leave town for extended periods to tour, etc. Long story short-ish, we all want to be able to play the stages of independent music venues and have our industry folks be able to come back, so a great roster of bands donated songs, including our own The Wild Honey Collective (lead singin’ by one of these laid-off Mac’s bartenders), Cavalcade, The Plurals, Pancho Villa’s Skull, Rodeo Boys, Flatfoot, Foxgrave, Grey Matter, The Lippies, Heartsick, Silktail, Dogleg and many more, totaling 24 tracks! We’re suggesting a $10 donation but any little bit helps.
SAT OCTOBER 12 @ THE AVENUE CAFE / Doors 7 PM / $8 / 21+
8:00 The Ryne Experience
8:30 Ortho Roi
9:30 Lazy Genius
10:00 Erotic Novels
10:30 Narc Out The Reds (10 year anniversary set)
11:00 Matthew Milia (Frontier Ruckus / full band)
11:45 The Soods (split/CD release)
12:15 Drinking Mercury (split/CD release)
SUN OCTOBER 13 @ MAC’S BAR / Doors 5 PM / $8 / ALL AGES
5:30 Sleeping Timmy
6:15 The Stick Arounds
7:00 Mistic Mountian
7:45 Rodeo Boys (tour kickoff)
8:30 The Plurals
9:30 The Lippies
All this plus lights by Britt Paul!
AND…. it’s GTG Fest so there’ll definitely still be some surprises in store. Get ready!
Stoopfest is back! The 4th annual edition of Lansing’s celebration of the eastside and alternative art and music is happening on April 19 and 20 with headliners Open Mike Eagle, Jeffery Lewis, Sammus, Lavender Country, and Mourning a BLKStar along with great locals including Grey Matter, Dogleg, Rodeo Boys, Sareem Poems, and a stacked roster of GTG acts at the Avenue all day on 4/20 with Cat Midway, Small Parks, Extra Arms, and The Plurals all doing their thing. Get tickets HERE and start getting ready for another killer fest! Full schedule below!
2019 is starting to shape up! We’ll have announcements on new releases very soon as well!
3/6 – The Plurals @ Mac’s Bar (Lansing, MI) w/ Messthetics (ex-FUGAZI), Helen Money
3/8 – The Stick Arounds @ New Way (Ferndale, MI)
3/9 – The Stick Arounds @ Maidstone (Ypsilanti, MI)
3/9 – GTG Presents: When Particles Collide @ The Avenue Cafe (Lansing) w/ Dasterds, Bike Tuff, The Quirk
3/12 – Drinking Mercury, Blaine and His Keyboard @ Mac’s Bar w/ Pocket Vinyl
3/14 – Tommy Plural @ The Avenue Cafe w/ Orc, Towner, Blue Pines
3/15 – Two Houses @ Reed’s (Chicago, IL)
3/17 – The Plurals (covers n such set) @ Claddagh (Lansing, MI)
3/23 – The Stick Arounds @ Ghost Light (Hamtramck, MI)
3/26 – Mistic Mountian @ The Avenue w/ DEZ, Michael Strike
25+ independent bands and artists converge on the capital of Michigan September 7th and 8th for the 11th annual GTG Fest. GTG Fest is curated by a group of friends and musicians to foster a safe, intimate, and creative environment to experience the passion of DIY music, make new friends, and see old ones. Music, food, a raffle featuring items from rad local businesses, and a barrage of good times fill the weekend. Please be respectful and cool to all attendees and to all of the spaces. No hate. We’re all in this together.
SEPT 7 & 8 @ THE AVENUE CAFE (Lansing, MI)
SEPT 8 @ MAC’S BAR (Lansing, MI)
The Hat Madder
The Stick Arounds
The Jackpine Snag
Raymond Strife x iLL-Omega
Fire It’s Sirius
Good Luck Tsunami
Thanks to Music Manor and Foods For Living for sponsoring the fest and helping make it all possible. And of course, a big thanks to the people of Lansing for 11 years and counting of GTG Fest.
Today, May 11 2017, The Plurals play at Mac’s Bar in Lansing with Local H. Local H is a band that tours hard and has played pretty much everywhere and I’ve had several friends share the stage with them but this is the first time that The Plurals are in this position. In many ways it’s just another show, I’ve been playing for long enough to know that opening for a “national act,” even if it’s one of your favorite bands, rarely “changes” anything, but since this is something I’ve wanted to do since I was 17 I’m just happy to achieve a personal goal.
Local H are in a strange position as they had a moment of strong radio presence at the mid-90s height of “grunge” radio, but they never became top of the bill “stars” and have been in the trenches of independent touring basically since the end of the 90s and the collapse of the music industry as a relentless money vacuum. People that are just aware of their big hit or their minor hit sometimes, in my opinion, unfairly shove them aside with less interesting bands like Candlebox or Collective Soul or even Creed but while the lineage of flannel clad angst is indeed present in their music, a closer listen reveals that they have far more in common with the Replacements than Bush. I myself am not sure if their big hit “Bound For the Floor” really registered with me as a little Plural, but I do remember the now doubly defunct Lansing area alternative station 92.1 the Edge playing “All the Kids Are Right” a lot in the fall of 1998 as I was starting middle school and have always had a strong affinity for that particular tune. A definite lost classic of the 90s if there ever was one.
My love for Local H wasn’t cemented until I saw them live for the first time in 2005. By that point on the recommendation of some of my older friends I had their album As Good As Dead in my CD collection and I had impulsively picked up their 2004 album Whatever Happened to PJ Soles (sidenote – this album is a fucking masterpiece and I won’t hear a word against it; it’s a definite all-time favorite for me) when I unexpectedly came across it in the Ionia pawn shop but I (along with the other nascent Plurals and our friends that formed the original core of GTG Records) went to see them live largely because local heroes XU were opening the show. XU is another essay unto itself, but the main dude from the band runs the label Hot Capicola Records now. Anyway, this first Local H show was a revelation. They hauled their own gear, ran their own merch, had no crew, and played their asses off. Scott Lucas ended the show by crowd surfing to the merch table where he promptly began selling t-shirts. It didn’t seem like they were “has-beens” in any way, more that they had forged their own way after a stint of fleeting major label success. Can you imagine how huge this was to us, as teenagers just beginning to understand the idea of DIY music? These guys didn’t need anyone, and they still don’t. They largely self-release their music and while some of their albums have been licensed to larger labels, they certainly aren’t pandering to anyone else’s commercial interests. It’s no exaggeration to say that The Plurals and GTG would probably not be the same if we hadn’t gone to see Local H when we were in high school.
It didn’t stop in high school though. Hattie and I scrounged together our non-existent “savings” multiple times in our late teens and early 20s to go see Local H live whenever they were within 100-200 miles of us. We gave Scott Lucas so many Plurals CDs, not thinking about the fact that he was just getting burdened with more shit at his shows, but he always was polite and acted interested. So many Plurals “bits” are from the Local H playbook – at one show the fans voted on the setlist via a lottery system before the show, at another show they pulled one of their album titles out of a hat and then played the whole thing (they did PJ Soles that night and it’s still my favorite show of theirs in my personal history), at other shows they would have a “guest singer” come out and do pointless backing vocals but treat it like a serious and integral part of the performance, and, (all right) oh yeah, the Mr. Show references in song titles – but the performance itself from the band has never once been phoned in or jokey. As a teenager their music resonated with me with their early album themes about being a misfit in a nowhere town – in my forever dorky ways I relished the parallel that my nowhere town “Ionia” wasn’t too far off in name from their nowhere town of “Zion” – and I still get a kick out of this wry observance of the darkness in small town aimlessness, but their relentless work ethic and fearlessness in expanding their sonic palette has kept me a fan as I enter my third decade on this earth. We once covered their song “High Fiving MF” at a backyard redneck party at one of our first “shows” ever, an act that surely should have gotten our asses kicked, and now all these years later we finally get to be part of the show. And now they’ll know we’re lame!
The first GTG release of 2017 (one of at least 12!) is out today, The Hunky Newcomers live album Harder Dude Stuff. In their first release in three years, the most loveable dirtbags in Lansing burn through 14 songs from all of their releases, louder, faster, and harder than the records we all know by heart. Recorded last year at a rowdy night at Lansing institution Mac’s Bar, Harder Dude Stuff delivers the goods! Out today digitally and on CD, check it out below as well as a new lyric video for “Gimme A Shot.” Let’s make the New Year happy!